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Breakfast club - John Hughes - 1985


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chef d'oeuvre, tout simplement ! absolument rien à voir avec un teen-movie 80's bien relou. ici on est en présence d'une comédie dramatique sublime qui possède un je n'sais quoi de fascinant. casting parfait, B.O magnifique, très belle photo... c'est peu etre un tantinet cucul sur les bords mais c'est un peu ce qui fait le charme de Breakfast Club !

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Revu en garde il y a peu: très surpris (et pourtant en VF!!!! Aaaargh, Power DVD... ). Par l'interprétation, juste et à fleur de peau et surtout, par le soin minutieux d'éviter la parodie et la caricature. D'autant plus que la galerie de personnages s'y prêtait! Ceux ci sont rendus très denses et on a vite envie d'en savoir davanatge sur eux!

Brest...

Une incultation ssinémataugrafiqueux de réparée!

Plus que 253 658 985 152...15.10^9!

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Pour les amateurs de John Hughes et de son Breakfast Club, il avait rédigé en 1996 le scénario de "Tickets", partant d'un postulat assez similaire avec une bande de jeunes attendant toute une nuit au même endroit pour obtenir des billets de concert. Le film ne fut jamais tourné car partageant des similitudes avec "Detroit Rock City", déjà en production à l'époque.

 

http://www.sendspace.com/file/zjo24y

 

Tickets starts out on a very chilly Chicago evening. So when our six strangers decide to wait outside all night for tickets to their favorite band in the middle of winter, it's more of a mission than a friendly gathering. First we have Tom, a 30 year-old who just wants to get through the night without being bothered. Then we have Leslie, who wears so many layers of clothing she could be mistaken for a sumo wrestler (she's the "Ally Sheedy" character - if Ally Sheedy got into Barry Bonds' medicine cabinet). Then there's Asa and Omar, two 17 year old suburbanites who snuck downtown hoping to find some females. Of course no night would be complete without "Man in Refrigerator Box" who is a man.... in a refrigerator box. Trolling around the sidewalk, wreaking havoc wherever he could find it is Mr. 66, a homeless Vietnam vet who would grow a second mouth if you sewed his first one shut. Finally you have Max, the rich real estate developer who has recently bought up the very building they're all waiting out in front of, with plans to gut it and convert it into a sleek new London-themed club.

 

The story is kinda hard to explain because...because there is no story. Leslie is a walking reality show before there were reality shows. Although we're not sure if she's homeless or not, one thing is clear: she had one hell of a fucked up upbringing. Asa and Omar thought the city would be teeming with girls but instead find themselves at the center of Mr. 66's odd and increasingly cruel attacks. Tom desperately wants everyone to shut up so he can get some sleep, yet consistently finds himself as the only one capable of settling the numerous disputes that arise. When Asa and Omar decide to grill up some hot dogs, asshole developer Max sweeps in and insists that a city ordinance prohibits them from cooking on the street. The group momentarily bonds in order to battle the only person they can universally agree is more annoying than any of them.

 

Eventually, as the night gets colder and the characters more testy, smaller conflicts arise, pulling away and breaking up our group, leaving us wondering if anybody's actually going to make it to the morning.

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